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Post by Admin on Feb 18, 2014 15:50:10 GMT 9
[Original]
[Translation]
By the way, in the middle of the recording, I had a crick in the back for the first time in 7 years. From the second talk after the CM, I was talking in great pain (really hard to be in a sitting position). So suddenly my voice lost a forceful tone. That's just the point of listening☆ #kuma761
[Reference]
International fans, GO ! >>> KUMA POWER HOUR
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Post by Admin on Feb 19, 2014 21:35:09 GMT 9
[Original]
[Translation]
Dayu~n✌(◔౪◔ )✌Dayu~n✌(◔౪◔ )✌ RT @hikkipower: Dayu~n is awesome!\\\\ ٩(`(エ)´ )و ////
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Post by Admin on Feb 19, 2014 21:46:49 GMT 9
[Original]
[Translation]
Oh, now I see. When I explained the part at which Dayu~n sounds of the synth switch from off-the-beat to on-the-beat, I said “Dayu~n Dayu~n” with my hands clapping. But it seems that listeners couldn’t fully listen to the important clapping…
Hikaru Utada’s pages
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Post by Admin on Feb 19, 2014 21:55:18 GMT 9
[Original]
[Translation]
Only in 2nd verse (a part starting from “hayaoki~”) , the timing of the Dayu~n Dayu~n synth sounds are shifted by a half of a beat. That is to say, the sounds are on 1,2,3,4 (on the beat). Though the sounds are more like “in the proper position” there, they are syncopated (off the beat) in other parts. So you get a feeling of slight strangeness. This is what I like best about “Nichiyou no asa (Sunday morning)”!
Hikaru Utada’s pages
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Post by Admin on Feb 19, 2014 22:01:58 GMT 9
[Original]
[Translation]
In addition, I’m glad that “Dayu~n Dayu~n” unexpectedly went over very well, but that's the way work places for music productions are!(laugh) Explaining things by imitative sounds is easy to be understood in many cases, to get people energized and to be required to have a good sense (of music). Does it occur only in my work places by any chance…?
Hikaru Utada’s pages
Please don't use my works without crediting me.
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